I n celebration of our new book, A Spotter’s Guide to Film and TV Locations, we travel not only across the world, but back in time, to take a look at the real-world locations that star in some of our favourite films and TV shows from the last seven decades.
Hovs Hallar, Skåne, Sweden – The Seventh Seal, 1957 Look at this beach scene: quite pretty, huh? No doubt some people might even see in it the glory of God’s creation. Not Ingmar Bergman, though. He sees the perfect spot for a nice game of chess with the sardonic figure of Death in an existential drama about the search for meaning in a godless universe.
Ludwig II of Bavaria’s romanesque-revival hilltop castle could hardly look more like the home of a fairy-tale princess if it was painted pink and had the Disney logo suspended above it. Indeed, it was the model for Sleeping Beauty’s castle in both Disney’s 1959 film and his Californian theme park.
Khao Phing Kan rarely goes by its given name, and has been locally known as James Bond Island ever since Christopher Lee’s supervillain Scaramanga hid his ‘solex agitator’ in the limestone karst tower off its shore. Why Scaramanga also built a funhouse and hall of mirrors on the island is anyone’s guess, but it’s best not to question the logic of the Roger Moore–era Bond films too closely.
Welcome to Silverton, population as of the last census: 89. Either there’s something about the light here, or it looks like the very definition of a typical outback township, because films including The Adventures of Priscilla, Queen of the Desert (1994), Wake in Fright (1971) and Mad Max 2 were all shot in and around it.
With its pastel-washed fishing villages reflecting in the azure waters of the Bay of Naples like some unspoiled, lesser known Portofino, the island of Ischia looks like just the sort of place the international idle rich of the 1960s might have picked as a playground in which to loll around in cream linen suits and Wayfarers, smoke, listen to jazz and contemplate life. Or identity theft and murder.
Fernando Meirelles’s tense gangster drama doesn’t make you want to visit the favelas of Rio, exactly, so much as it makes you thank the heavens you weren’t born into the same cycles of poverty and violence as its characters. But rarely has a film captured the distinctive energy and the life of a city so well. And there isn’t a film with a funkier samba soundtrack to be found anywhere.
Part of the appeal of Downton Abbey lies in its nostalgic celebration of a vanished era of deference and rigid social order in which, whether aristocrat or servant, everyone at least knew their place..
That’s the theory anyway. It’s worth remembering that the British aristocracy hasn’t gone anywhere, and although you can visit the vast 17th-century stately home that played Downton Abbey on certain days of the year, it still belongs to the Earl of Carnarvon.